Vega Vegavox I Tenor Banjo (1930)
Vega Vegavox I Model Tenor Banjo (1930), made in Boston, Mass., serial # 93615, shaded maple finish, laminated maple neck, rim and resonator, ebony fingerboard, black hard shell case.
This fairly early Vegavox I is a nice example of Vega's final development of the tenor banjo family, which even today remains one of the most sought after of the breed. The Vegavox models appeared at the end of the 1920's, when interest in the tenor banjo was already fading. With their industry-standard Vegaphone line Vega was arguably the most successful banjo maker of the era, and they weren't going down without a fight! Developed with input from plectrum virtuoso Eddie Peabody, the Vegavox used the same rim design mounted in a very deep resonator totally enclosing it with the flange mounted just under the head. The tension nuts were adjusted from the top, a design pioneered earlier by Leedy and Ludwig and eventually adopted by Gibson in the 1930's.
The Vegavox line were exclusively high-end professional banjos. This Vox 1 was the simplest model of four styles offered but is still rather fancy. The fingerboard inlay is similar to the earlier Vegaphone Professional, while the elaborate pearl headstock pattern is more like the high-end Artist model. The deep-dish resonator is finished in Vega's subtle shaded maple, with a pie-section back and two thick inlaid lines of celluloid and gold sparkle inlay on the sides. The top-tension nuts and flange is chrome plated. The sound is very powerful (the Vegavox is built on the Tub-A-Phone rim) with a deeper dimension than most tenor banjos. Many players who worked as soloists or with small combos preferred the Vegavox to all earlier tenors, and Vega continued to make them-in small numbers-up into the late 1960's. This is a lovely early-pattern example and still an exceptionally fine tenor banjo for any application.
Overall length is 33 3/4 in. (85.7 cm.), 11 in. (27.9 cm.) diameter head, and 3 1/4 in. (8.2 cm.) in depth, measured at side of rim. Scale length is 23 in. (584 mm.). Width of nut is 1 1/8 in. (29 mm.). This banjo shows light-moderate wear overall but the only alteration is a lovely hand-made repro tailpiece-the originals often have failed from metal fatigue by now. There is some wear to the finish on the back of the neck from play and dings and chips to the resonator sides and back. The frets and fingerboard also show some wear but the instrument still plays very well with the expected superlative sound. A fine player's example of this fairly rare and much lauded tenor banjo; includes a later Vega HSC sized for a plectrum/5 string length neck but otherwise a good fit. Very Good + Condition.
Item # 8038
Ad Number 116166
Posted: Oct 10, 2017 08:04 AM CDT
233 Butler Street
Brooklyn NY 11217
Ad Owner History
Prior ads by this individual: 580
This individual has never replied to an ad using this email address.
Other current ads by this individual:
• Gibson F-7 Carved Top Mandolin (1934)
• Gibson Sj Southern Jumbo Flat Top Acoustic Guitar (1951)
• Guild F-20Nt Flat Top Acoustic Guitar (1964)
• Bacon Orchestra Special Style B Plectrum Banjo (1925)
• C. F. Martin D-41 Flat Top Acoustic Guitar (1976)
• Gibson L-48 Arch Top Acoustic Guitar (1951)
• Gibson A-50 Carved Top Mandolin (1938)
• Monteleone Grand Artist Carved Top Mandolin (1979)
• Gibson Style A-3 Carved Top Mandolin (1920)
• Gibson A-4 Carved Top Mandolin (1913)
• Gibson F-5 Carved Top Mandolin (1938)
• Gibson F-4 Carved Top Mandolin (1928)
• Gibson Etg-150 Arch Top Hollow Body Electric Tenor Guitar
• 1925 Washburn Style Carved Top Mandocello By Lyon And Healy
• Gibson J-35 Flat Top Acoustic Guitar, Circa 1937
• Gibson RB-12 Top Tension 5 String Resonator Banjo (1996)
• Gibson Lg-2 Flat Top Acoustic Guitar , C. 1949
• 20s Washburn Style Carved Top Mandocello By Lyon & Healy