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Spourdalakis Greek Baglamas (Small Bouzouki) Brazilian

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2017 Chris Spourdalakis Greek Baglamas (small bouzouki) 3-string Brazilian Rosewood

Greek Baglamas (small bouzouki) from Brazilian Rosewood

Baglamas made from brazilian rosewood (authentic Dalbergia Nigra - protected species) cut in 1947 (accompanied by CITES - international certificate). Golden Series. Interior body covered with golden layers 12K. Pernabuco rossette and inlays from Mother of Pearl in snakewood binding.

Bowl: Brazilian Rosewood (Golden Series)
Top: Swiss Spruce
Carbon Fiber: YES
Decoration: Pernambuco & Maple on brazilian rosewood background. Mother of pearl inlays
Concave (Carved) strips: YES

Price: $2350 (includes: flight case, Lifetime warranty, 4 sets of innox strings)

Construction date 03/20/2017

GreekArtLutherie is our idea of excellence and perfection in form and function and our passion to achieve it. GreekArtLutherie supports and promotes Art Luthiers from Greece whose extraordinary talent and hard work over the years culminated in production of instruments of exceptionally high aesthetic and acoustic standards. Our goal is to introduce these Art Master Luthiers from Greece and their astounding achievements to musicians in North America and provide the unique opportunity of owning an instrument that is truly a piece of Art.
We are very proud to introduce Christos (Chris) Spourdalakis who is one of the best examples of Greek Art Lutherie.
Christos Spourdalakis' Stringed Instruments Workshop, "NeoRion", was founded in 1979 in Piraeus Greece. It soon found its place among musicians as another link in the old European tradition of Art Lutherie, a rare form of instrument making, the viability of which is now being threatened by the production of musical instruments on an industrial scale.
Over the years, Chris's and his unique team of exceptional craftsmen, experience, excellent choice of materials and attention to detail, gave birth to instruments of exceptional quality and character.
Chris Spourdalakis believes that contemporary Art Lutherie, must satisfy the traditional and classical elements, but also utilize modern technological advances. The contemporary instrument maker must be familiar with both traditional methods and modern technological developments. Through a combination of these the best possible outcome can be achieved.
It's up to you to decide.

Reply to Ad #112621

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Ad Number 112621
Posted: Jun 30, 2017 11:57 AM CDT

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